Sandow Birk

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Artists

"Green Mansions", 2017, mixed media on paper, 30 x 22"

Fred Birchman

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

Marcus and Edwin, circa early 1980s, silver gelatin print, 20 x 16” paper size

Marsha Burns

"Paris Mountain After the Ride", 2017, oil on linen, 18" x 18"

Kimberly Clark

"Wall", 2008, oil on paper, 5" x 7"

Sally Cleveland

"Shannon in Passage", 2016, oil on canvas, 48" x 42"

Ann Gale

"Erase", 2014, archival inkjet print, 18 x 24"

Ellen Garvens

"Nature's Reward", 2017, walnut ink on Yupo paper, 25.5” x 33.5” image, 36.75” x 44” framed

Kathy Gore Fuss

“Artifact”, 2017, oil on canvas, 52” x 67”

Philip Govedare

"All the Living Things: Pacific Bleeding Hear", 12.15.15, oil on Shikishi Kochi handmade paper, 9.5 x 9.5"

Jim Holl

"Harman Site", 2011, acrylic on canvas, 32 x 36"

Michael Howard

"Boy on the Beach", 2012, acrylic, 6 x 6"

Amy Huddleston

"Loophole #1", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

Caroline Kapp

"Calilogy", 2009, archival pigment print, 24" x 17"

Dianne Kornberg

Untitled, 2015, archival inkjet print

Carolyn Krieg

"Of Course" view 1, 2018, Bronze, 18" x 12" x 5"

Phillip Levine

"2am Apparition", 2016, oil and Washi tape on linen, 24 x 24"

Kathy Liao

"First Frost", 2016, acrylic, pigment and oxides on birch panels, 96 3/8" x 66"

Dale Lindman

"La Salle, Paris Opera", 2009, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 1996, acrylic on paper, 30 x 22"

Robert Perlman

"Water", 2017, oil on canvas, 30" x 30"

Anne Petty

"Bird House with Figure", 2016, acrylic on paper, 22 x 18"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Construction 007" 2014, archival inkjet print, 12 x 18"

Graham Shutt

"Innocent Age: Gloria & Spanish Dancer", 2005-12, hand-colored silver gelatin print, 30 x 24" fr.

Kathy Vargas

"Interior with Woman and Red Carpet"

Jordan Wolfson

"Lake Walk", 2017, oil on canvas, 24 x18"

Evelyn Woods

"A View of the Ruins of the City of Chicago", 2001, acrylic and ink on canvas, 44 x 66"

"A View of the Ruins of the City of Chicago", 2001, acrylic and ink on canvas, 44 x 66"

"The Abandonment of SF MOMA at the Battle of San Francisco", 2002, 2 plate etching on cotton rag paper, 41.5 x 21"

"The Abandonment of SF MOMA at the Battle of San Francisco", 2002, 2 plate etching on cotton rag paper, 41.5 x 21"

 "The Blind Leading the Blind", 2010, graphite on drafting film

"The Blind Leading the Blind", 2010, graphite on drafting film

Sandow Birk bio

Los Angeles artist Sandow Birk is a well traveled graduate of the Otis/Parson's Art Institute. Frequently developed as expansive, multi-media projects, his works deal with contemporary life in its entirety. With an emphasis on social issues, frequent themes have included inner city violence, graffiti, political issues, travel, war, and prisons, as well as surfing and skateboarding. He was a recipient of an NEA International Travel Grant to Mexico City in 1995 to study mural painting, a Guggenheim Fellowship in 1996, and a 1997 Fulbright Fellowship for painting to Rio de Janeiro. In 1999 he was awarded a Getty Fellowship for painting, followed by a City of Los Angeles (COLA) Fellowship in 2001. In 2007 he was an artist in residence at the Smithsonian Institute in Washington, DC, at the Cité Internationale des Arts in Paris in 2008 and is a 2014 recipient of a USA Fellowship Award. Sandow Birk is represented by the Koplin Del Rio Gallery in Los Angeles.