Dale Lindman

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Artists

"Green Mansions", 2017, mixed media on paper, 30 x 22"

Fred Birchman

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

Marcus and Edwin, circa early 1980s, silver gelatin print, 20 x 16” paper size

Marsha Burns

"Paris Mountain", 2019, Oil on panel, 4.25” x 4.25”

Kimberly Clark

"Wall", 2008, oil on paper, 5" x 7"

Sally Cleveland

"Shannon in Passage", 2016, oil on canvas, 48" x 42"

Ann Gale

"Erase", 2014, archival inkjet print, 18 x 24"

Ellen Garvens

"Nature's Reward", 2017, walnut ink on Yupo paper, 25.5” x 33.5” image, 36.75” x 44” framed

Kathy Gore Fuss

"Planet #3", 2017, oil on canvas, 24” x 41”

Philip Govedare

"All the Living Things: All Linden Leaves are Linked 12.16.17", 2017, Oil on paper, 10.5” x 9.5”

Jim Holl

01, 2018, acrylic on canvas, 48" x 96"

Michael Howard

"White Coat", 2016, acrylic, 10.75 x 16"

Amy Huddleston

"Big Story No. 1", 2018, Archival inkjet print on Aquarelle 310 GSM paper, 44” x 30”, No edition / single artist’s proof

Caroline Kapp

"Calilogy", 2009, archival pigment print, 24" x 17"

Dianne Kornberg

Untitled, 2015, archival inkjet print

Carolyn Krieg

"Of Course" view 1, 2018, Bronze, 18" x 12" x 5"

Phillip Levine

"2am Apparition", 2016, oil and Washi tape on linen, 24 x 24"

Kathy Liao

"First Frost", 2016, acrylic, pigment and oxides on birch panels, 96 3/8" x 66"

Dale Lindman

"La Salle, Paris Opera", 2009, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 1996, acrylic on paper, 30 x 22"

Robert Perlman

"Water", 2017, oil on canvas, 30" x 30"

Anne Petty

"Bird House with Figure", 2016, acrylic on paper, 22 x 18"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Construction 007" 2014, archival inkjet print, 12 x 18"

Graham Shutt

"Interior with Woman and Red Carpet"

Jordan Wolfson

"Rain Garden", 2017, Oil on canvas, 36” x 36”

Evelyn Woods

"First Frost", 2016, acrylic, pigment and oxides on birch panels, 96 3/8" x 66"

"First Frost", 2016, acrylic, pigment and oxides on birch panels, 96 3/8" x 66"

"Blue Morning", 2016, encaustic on birch panels, 48” x 43.5"

"Blue Morning", 2016, encaustic on birch panels, 48” x 43.5"

Great Northern, 2015, Acrylic emulsion, dry and dispersed pigments, iron and copper oxides, glass microbeads on birch panels, 96" x 52"

"Great Northern", 2015, Acrylic emulsion, dry and dispersed pigments, iron and copper oxides, glass microbeads on birch panels, 96" x 52"

Edge of Promise  2017, encaustic on birch panels, 67" x 42.25" framed

"Edge of Promise", 2017, encaustic on birch panels, 67" x 42.25" framed

"Night's Watch", 2018, acrylic and encaustic on birch panels, 61.25" x 36.75”

"Night's Watch", 2018, acrylic and encaustic on birch panels, 61.25" x 36.75”

"North Shore", 2016, Acrylic, cold wax, pigments on birch panels, 21.5" x 22.75"

"North Shore", 2016, Acrylic, cold wax, pigments on birch panels, 21.5" x 22.75"

"Return to Grace", 2016, encaustic on birch panels, 49.25” x 29”

"Return to Grace", 2016, encaustic on birch panels, 49.25” x 29”

"Summertime", 2016, acrylic and encaustic on birch panels, 29.25" x 22.75" framed

"Summertime", 2016, acrylic and encaustic on birch panels, 29.25" x 22.75" framed

"Submerged", 2010, mixed media, 60.75 x 36"

"Submerged", 2010, mixed media, 60.75 x 36"

Dale Lindman bio

Dale Lindman is a Seattle painter. He attended St. Cloud State University in Minnesota, graduating with his B.A. in Art in 1974 and his M.A. in Painting and Drawing in 1975. He then went on to attend the University of Washington in Seattle graduating in1982 with his M.F.A. in Painting and Drawing. He has received numerous awards from an array of organizations including: Minnesota State Arts Board , Ford Foundation Scholarship, Northwest International Art Competition at the Whatcom Museum and a residency at the Morris Graves Foundation. His work is included in private and public collections across the United States; among them: the Microsoft Corporation, the Boeing Corporation; the Neiman Marcus Corporation and Swedish Hospital of Seattle.

He has shown extensively in the Northwest for the past 30 years. His work has been reviewed in Art News, the Seattle’s daily newspapers, featured in Southern Accents, Seattle Homes magazines and in two full-length films. Lindman is currently a full-time Instructor at Bellevue College, where he teaches drawing, design and painting. 
www.dalelindman.com

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